Charley Campbell

Two-week timeline on a six-week project is the work version of feeding five people on a ramen budget. I push back by treating time like money and offering two prices-for-outcomes: with two weeks we can deliver X and Y by [date], but Z requires four more weeks due to time zones and a 72-hour compliance review. If Z is non-negotiable, the realistic end date is [date], otherwise approve the smaller scope and we hit the two-week target.

Go for a student grade acrylic set that thins well with water and has an AP non toxic seal or a note that it conforms to ASTM D-4236. In the store or at home, swatch each color in three steps from full strength to a very watery wash on scrap watercolor paper. You want smooth transitions, no chalky fade in the lightest area, and edges that soften when you touch them with clean water while the paint is still wet. Use a ceramic plate or plastic lid as a palette so the paint stays workable, mist it with water now and then, and build transparent layers rather than trying to get it all in one pass. For brushes, choose soft synthetic hairs with some spring because stiff bristles leave streaks. A simple trio works well, a medium round for drawing and detail, a larger round for washes, and a flat around half an inch for broad strokes and crisp edges. Test in person if you can, dip in water and see if the tip snaps back to a point, drag it gently on your skin or paper to feel a smooth glide, and give the bristles a light tug to check for shedding. Rinse in two jars, reshape the tip, and dry flat to keep them in good shape. Use watercolor or mixed media paper at 140 lb to limit warping, and tape the edges to a board. Pre wet areas for soft blooms, drop in diluted acrylic, then lift with a clean damp brush while it is still open since acrylic will not lift once dry. Keep a scrap sheet for quick tests of dilution and mixing, and consider a smaller set with the primaries plus white so you get stronger pigment and clean mixes while staying under budget.

I went down the same rabbit hole. Two VA panels in a row gave me rainbow edges on slashes and curly braces and no amount of tweaking fixed it. What finally worked was confirming the subpixel layout before buying and avoiding anything that flips to BGR in landscape. If you get stuck with BGR, Windows ClearType can be switched to compensate, but then the Mac will still look a bit off. Better to start with an IPS that is standard RGB, keep sharpness at the factory neutral point, and disable super resolution tricks in the OSD. After that it is mostly about distance and brightness. A touch dimmer than you think. Eyes thank you.